What do Plácido Domingo, Roberta Peters, Patrice Munsel, Adelina Patti, Manuel Garcia, and a host of other great names from the annals of operatic history potentially have in common with your high-school aged student, son or daughter? All were active singers in operatic productions during their teen years, a time when most of today's youth have not even heard of opera. Here in New York City, we have so many musical resources available to prepare our young artists for future careers but few for the youngest singers wishing to undertake serious study of the greatest of the performing arts, grand opera.
While many of our city's great opera companies use and train children and teens in their choruses, there have been fewer opportunities for these young singers to explore what goes into preparation of a leading or supporting role in grand opera. Once a certain age has been reached, many of these kids must leave those institutions, having to wait up to ten years to resume further operatic studies.
Citywide Youth Opera, Inc. (CYOp), a not-for-profit, 501c3 tax exempt organization launched in the Fall of 2005, seeks to remedy this situation. This program offers young singers in-depth musical, dramatic and interpretive training, culminating in a public performance of legitimate operatic works by the great composers of music history. The program is open to students ages 14 to 21.
Attention to repertoire is what makes CYOp unique. While other programs have been created to coach teen singers in individual arias, art songs or in the process of creating an original opera, CYOp teaches skills to bring forth a polished performance of established repertoire, in addition to also offering aria study geared to the individual performer's needs.
AMONG THE STAFF AT CYOp
CYOp's founder and Artistic Director, Andrés Andrade is currently on the faculty at Queens College and maintains a busy private studio in addition to expanding duties at Citywide Youth Opera. A graduate of New England Conservatory, he has performed over thirty roles in operatic, operetta and zarzuela repertoire, and has taught voice since 1988. He spent five years on the vocal faculty and as director of the Opera Theatre at LaGuardia Arts High School, where among his productions, Gluck’s Orfeo ed Euridice was the feature of a news segment on National Public Radio’s Morning Edition. Several of his students have been accepted to top college and conservatory vocal departments, including the Juilliard School, Manhattan School of Music, Mannes College of Music and New England Conservatory. He is author of the book Absolute Beginners Voice.
Citywide Youth Opera is pleased to announce the addition of American
Mezzo-soprano Eugenie Grunewald to its faculty. Ms. Grunewald has
performed to popular and critical acclaim in a broad repertoire that
encompasses both the dramatic roles of Verdi and Wagner and the "bel canto"
repertoire of Bellini and Donizetti. She has earned recognition not only
for her dramatic abilities but for her vocal artistry on the stages of
leading opera companies here and in Europe. Theaters in which she has
appeared include the Lyric Opera of Chicago, San Francisco Opera, Houston
Grand Opera, New York City Opera, Teatro Liceu in Barcelona, Teatro Real in
Madrid, Hamburg State Opera, Opera de Marseille, Theatre du Capitole in
Toulouse, Opera Toulon, Opera Pacific, Detroit Opera, Orlando Opera and
Austin Lyric Opera, Florida Grand Opera, Fort Worth Opera, Toledo Opera,
Kentucky Opera, New Jersey State Opera, New Jersey Opera Theater, New
Orleans Opera and the summer festivals of Glimmerglass and the Festival of
Two Worlds in Spoleto, Italy.
A sought after artist on the concert stage, Ms. Grunewald has performed in
Lisbon, Washington D.C., New Orleans, Dusseldorf, Aspen Music Festival, The
Riverside Chorale of New York and the Los Angeles Master Chorale, the Aspen
Music Festival and with the Orchestra of St. Luke's under Sir Gilbert
Levine. She was also a featured soloist on "Live from Lincoln Center’s
For more information about the career of Eugenie Grunewald, visit www.eugeniegrunewald.com
Lenora Eve (Vocal Instructor, Coach) has been an established and acclaimed teacher and coach for over 20 years. She has sung nationally and internationally in operatic and musical theater roles including the Broadway national tour of The Sound of Music with Richard Chamberlain; State Fair with John Davidson; and the international tour of The Sound of Music with Marie Osmond traveling to Bangkok, Singapore, Hong Kong and Seoul, Korea. In Germany, she has been a guest artist in several operatic productions and concerts with the Landestheater Detmoldd , and made her Carnegie Hall debut as the alto soloist in Haydn's Lord Nelson Mass. Miss Eve earned her Masters of Music degree from North Texas University.
Master class presenter, soprano Valerie Saalbach is noted for her delightful portrayals of Adele, Blondchen, Marie, Susanna and has been the recipient of top vocal prizes in competitions in Europe and the United States. She was awarded a Sullivan Foundation Grant and was a winner of the New York Region Metropolitan Opera Auditions. As first-prize winner of the Palm Beach Opera Vocal Competition, she was appointed a principal soprano of the Vienna State Opera. She made her Carnegie Hall debut with the Opera Orchestra of New York, appearing with that organization in productions of Rusalka (Turnspit), Maid of Orleans (Angel Voice), and Die Zauberflote (Papagena), among others. In recital and oratorio, Miss Saalbach has made appeared with the symphonies of Atlanta, Palm Beach, Jacksonville, Boca Raton and Birmingham. With Musica Sacra at Avery Fisher Hall, she sang the demanding soprano solo in Strauss’ Deutsche Motette as well as the Mozart Coronation Mass. The New York Times called her performance “particularly vibrant… a commanding presence… regal performance.”